as promised: Joy Division 'Recycle' Sampler - lossless

I don't think this needs any introduction.

JOY DIVISION
A Recycle Sampler
Selections from the Recycle project
including one track completely unused in the "official" set!

Presented in lossless FLAC

01 At A Later Date (from the 'An Ideal For Living' set)
02 No Love Lost (from the 'An Ideal For Living' set)
03 Digital (Hannett version) (from the FAC 2 set)
04 Transmission (Strawberry version) (from the FAC 13 set)
05 Atmosphere (from the 'Licht und Blindheit' set)
06 Dead Souls (pitch corrected) (from the 'Licht und Blindheit' set)
07 Ice Age (pitch corrected) (from the 'Licht und Blindheit' set)
08 Love Will Tear Us Apart (single A-side) (from the FAC 23 set)
09 These Days (pitch corrected) (unissued)
10 The Sound Of Music (from the FAC 23 set)
11 Komakino (from the FAC 28 set)
12 Colony (pitch corrected) (unissued)
13 She's Lost Control 12 inch version (pitch corrected) (unissued)
14 Twenty Four Hours (live from the High Hall, Birmingham 2 May 1980) (from the FACUS 2 set)
15 These Days (live from the Lyceum, London 29 February 1980) (from the FACUS2 set)
16 She's Lost Control full mix (pitch corrected) (unissued)
17 Atmosphere (live from the Paradiso, Amsterdam 11 January 1980) (from the FAC 213 set)

Find it here!

enjoy....

how slow can you go: CODEINE Frigid Stars LP

Sometimes a record so perfectly encapsulates a mood, references such a specific time and/or place that there's no other way for that mood or that experience to be the same without the accompanying record in there somewhere.

I hadn't planned to blog this record for another few months but I think that because I've been going to it for solace, when breaking from the Smiths mastering for that other blog, it was time.

Now dealing with Morrissey on the one, and Codeine on the other, I'd imagine people are either lining up the pills for your humble blogger, or preparing the rubber room for my impending confinement. Ha! I say. I just like the damn thing.

This 1990 release is a VERY powerful record - a record that gains its power not only from its breathless lack of speed, but from its immense sheets of guitars. Stephen Immerwahr's vocals sound as if they're vocalized from the depths of despair, an icy sheen that just adds to the remoteness, the emotional gravity, of the record. And indie legend Chris Brokaw - doubling up here on both guitars *and* drums - has to be an utterly fantastic drummer just due to the nature of how precisely slow a timekeeper he had to be.

With a name like Frigid Stars, and the cover shown below, you can just picture the emotional desolation of this record.

It's not a record for a bright, sunny summer August day. For a chilly, windswept January winterscape, or blustery, rainy fall day with the onset of a brutal winter on the horizon, it's perfect. And while some songs individually are standouts, it's a record best enjoyed as a piece.

There is a stylistic, and (after this record) musical link between Codeine and one of this blog's other favorite set of acts, the Bitch Magnet/Seam axis. BM/Seam fellow Sooyoung Park gifted this record's "New Year's" to Codeine several years before one of his own bands recorded it (Seam did so in 1993 on the Headsparks LP), and not only does Codeine thank the Bitch Magnet folks in the credits, their next record (an EP not blogged here, though I may in the future) featured BM's Jon Fine and part-time BM David Grubbs in various guesting roles.

"Cave In", for that matter, sounds like a track that fell off the master reels for Bitch Magnet's Umber LP, and "Cigarette Machine" could have spun off from Ben Hur. Really great songs, all of them.

So enjoy, lossless FLAC for your pleasure.

CODEINE
Frigid Stars LP
1990 Sub Pop

01 D
02 Gravel Bed
03 Pickup Song
04 New Year's
05 Second Chance
06 Cave In
07 Cigarette Machine
08 Old Things
09 3 Angels
10 Pea

edit: removed link

enjoy!

biting off more than I can chew?

Our latest endeavour:



Smiths: Extra Track (and a tacky badge)

Modeled after the ultra-successful New Order and Joy Division Recycle blog.

Same people behind it too!

One day the labels will see the value of involving the fans. If not, their loss.

Now, back to our regularly scheduled posting...

summer break / Joy Division RECYCLE musings

Well only a brief one...

Our next post, unless the mood strikes differently, will be this blog's alternative masterings of the RECYCLE blog's Joy Division packages. There are enough curios either left out of RECYCLE, or tracks released there to warrant additional consideration, that it would warrant its own post over here (and as lossless FLAC).

I'm just waiting for our friend £50 Note to wrap up his end of the deal with Atmosphere 1988, which I promise will be a spectacular treat to wind up the series ;)

So, with the caveat that no, I will *not* be posting every part of the Joy Division RECYCLE series as lossless FLAC, which individual tracks, from the Joy Division series, would you like to see over here?

R.E.M. Fables demos, unleashed!

I've probably said it here before, but if not, let me put it out there for once and for all:

My all-time favorite R.E.M. record is 1985's Fables Of The Reconstruction.

Oh, it battled over the years with 1984's Reckoning, 1986's Lifes Rich Pageant, and in more modern times, 1992's Automatic For The People. But unlike those records, something about Fables always drew me back in. Whether it was the oppressively gauzy production, the absolutely beautiful songwriting, the ribbons of melody streaming off the record, it was always there for me. It's a very dark, gloomy record, and it's a stunningly beautiful record. Southern Gothic, yes.



As the band has done over the past two years with 1983's Murmur and the followup Reckoning, the 25th anniversary of this record's release comes this year and with it a deluxe remaster/repackaging of the record. Murmur and Reckoning saw their CD2's filled with live sets, and while there were plenty of good contemporary gig candidates for Fables, the band instead dug deep into the vaults for the recording session arranged in Athens, Georgia just prior to jetting off to London to record with Joe Boyd.

It's been said by the band that Fables was rather underwritten (which I disagree). These demos put lie to this myth - R.E.M. went to London with perhaps their strongest collection of songs to date, needing only minute changes in the studio from what they demoed in Athens, GA prior to leaving.

So while these aren't ripped directly from the record (which isn't released for another week), they are captured from the kcrw.com streaming audio and sound far better than what one would expect from such a thing.

Unlike the final release of these tracks (henceforth called the Athens Demos, as the band has entitled them), this blog's version has them in actual Fables order, with the non-album songs tacked onto the end.

I'll leave it to the listener to decide their favorites, but I will point out a few things that immediately struck me at first listen:

Overall the Athens Demos sound very much like Reckoning in actual sound. The tracks were mostly live in the studio, as was Reckoning. There were minimal overdubs, again like Reckoning. There was little time to mess with the tracks, and the raw recordings really bring out how well written these songs are overall.

FEELING GRAVITYS PULL
I think if you listen really, REALLY carefully to the final album recording, you can hear hints of Bill Berry's manic drum pattern deep in the murk.

MAPS AND LEGENDS
This demo recording puts the emphasis more on melody than the final recording, which emphasizes mood.

DRIVER 8
If Murmur/Reckoning producers Mitch Easter and Don Dixon produced the third R.E.M. LP, this is what it would sound like.

LIFE AND HOW TO LIVE IT
The final recording doesn't stray too far from this blueprint, and you still can't completely decipher Michael Stipe.

OLD MAN KENSEY
Nearly interchangeable with the final recording, which makes sense as it had been played live for nearly 8 months before this (along with "Driver 8") and the band had a pretty good handle on where it was going.

CANT GET THERE FROM HERE
Missing the horns that featured on the final recording, still a good blueprint for the album track.

GREEN GROW THE RUSHES
I really like Stipe's "la la la, laaaa" intro melody, I wish he'd kept it for the final recording. Another track which ultimately trades this version's emphasis on melody with the final recording's emphasis on mood.

KOHOUTEK
Perhaps my favorite track of all time on the actual Fables LP, here it sounds strangely denuded. The one case where I prefer the final recording to the demo. I think because Joe Boyd and the band had such terrible times mixing the record, things were tried on this album track that made it work (on the actual record, "Kohoutek"'s drum sound is completely dissimilar to any other song on the record, and is better for it).

AUCTIONEER (ANOTHER ENGINE)
More manic than the final recording. I like the stick clicks continuing during the guitar breaks, which doesn't feature on the final recording.

GOOD ADVICES
A beautiful track either way you shake it, again more of a melodic emphasis here than the moodiness of the final recording. The complete lyric gives lie to the myth that the overall lyrical tone of the final LP, and this song in particular, was influenced by the terrible time the band was having away from home in a miserable London winter (since this recording predates that London trip). Lovely Mike Mills vocal countermelodies that are VERY prominent at 2:38 onwards, missing from the final recording.

WENDELL GEE
One of my favorite tracks ever, this out-beautifuls the final recording (if that's even possible). I suppose they've always been there, but Stipe/Mills/Berry create some absolutely stunning vocal harmonies, and Peter Buck's subdued guitar really keeps the mood throughout the track. Stipe's whistling starting at 1:40 doesn't detract at all, in fact I wish he did this on the final recording!

BANDWAGON
Stipe already sounds bored with the track.

HYENA
Not quite as manic as the 1986 recording with Don Gehman as featured on Lifes Rich Pageant, the extra gestation time gave the band more opportunity to tighten up the track. A better fit on Pageant than would have been on Fables.

THROW THOSE TROLLS AWAY (aka WHEN I WAS YOUNG)
Finally we hear a studio version of the track listed on the inner sleeve tracklisting on Fables, but dropped from the lineup at the last minute and never before heard except at a couple early 1985 gigs (and poorly-bootlegged thereafter). I can see why it was dropped, it's frankly not very good. The lyric was famously recycled and rewritten as the infinitely superior "I Believe" for 1986's Lifes Rich Pageant.

- - - - -

edit: Removed link.

I think he likes it: TAR - Jackson (lossless revisit)

Tap tap. Is this thing on?

Apologies again for the (relatively) lengthy delay in new postings. With the onset of summer comes additional projects to tackle in and around the homefront, taking more and more of my tiny slice of available time to devote to the blog.

So it is at the risk of repeating myself that we revisit Tar (as we've done before).



Now last year I posted most of this Chicago proto-grunge noiserock band's Amphetamine Reptile catalog, as MP3. Tar's whole AmRep catalog is now out-of-print, and only selectively available via your usual download-only retailers. This includes one of my favorite records of all time, their 1991 LP Jackson.

If heavy duty factory machinery had a soundtrack to their day, it would be Tar. Dual guitars relentlessly threshing and grinding away, propelled by propulsive bass and drumming, gloriously captured by Steve Albini (in "beautiful downtown Chicago in July, 1991" at Chicago Recording Company). Vocalist John Mohr doesn't need to "sing" to this soundtrack, so he doesn't. There is no singing at the factory. I don't understand how the hands of progress could be so cold, indeed ("Trauma").

So rather than burying this wonderful record amongst a Tar mega-pack, here be it freed as lossless FLAC. Please enjoy responsibly, keep your hands out of the equipment, wear hard hats at all times, etc. Slight remastering from an original 1991 CD issue (as if there are any others, considering this record probably sold less than 10,000 units)...

But first - a video! This is exactly how I imagined a Tar video would look, when I only heard there was one for this song. Now thanks to the magic Internets you can enjoy it too! Also this is perhaps close to the most melodic Tar song in existence, at least chording-wise.



"Goethe"

So enjoy. And a slight warning: the second side of the LP (starting with "Dark Mark") is slightly better than the first - bar "Short Trades", one of the best tracks by any band ever.

- - - - -

TAR
Jackson
1991 Amphetamine Reptile Records



01 Short Trades
02 Cross Offer
03 Walking The King
04 On A Transfer
05 Trauma
06 Dark Mark
07 Goethe
08 Tellerman
09 Land Luck
10 Viaduct Removal

Get it here.

And, if the interest is there, I recently acquired 1990's Roundhouse/Handsome CD (also out-of-print) and would be happy to FLAC it here.

essential: Neil Young - Time Fades Away HDCD

While today's record may seem incongruous from my typical blogpost, in all reality, it's not.

You see, your humble blogger has been a Neil Young fan for over 20 years. And while many of his songs are classic rock anthems, he's not been called the "godfather of grunge" for nothing. He once called Sonic Youth's "Expressway to Yr Skull" the greatest guitar song of all time, he's championed many an indie act via his annual Bridge School Benefit gigs to support the Bridge School (an organization set up by the Youngs in 1986 to help children impaired by severe physical and speech impairments), and he's never seen fit to kowtow to his fans or public.

Case in point is today's featured record, 1973's Time Fades Away.



On the back of the massive blockbuster success of his 1972 acoustic record Harvest ("Heart of Gold" among others), Young put together an all-star band and toured to an audience raptly anticpating recasts of the classic commercial Neil. However.... In his words: "'Heart of Gold' put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch."

Writing an entirely new body of work on the road, the Harvest tour soon saw Neil performing sets of never-before-heard material to audiences expecting "Heart of Gold". And the all-star band backing Young didn't get it - not like Young wanted them to, at least. But Young had an idea, why not make the next record a record of these new songs, played live in front of audiences completely unfamiliar with the material? So he did, releasing the results (assembled from a multitude of live dates) as Time Fades Away.

And he hated it, as did contemporary critics (though you'll not find a critic today who doesn't love the record).

It was a bad period in Neil's career, with the deaths of several musicians in the Young orbit from drugs hanging heavily on his back at the time. The music and the lyrics of this period (the oft-termed "Ditch Trilogy" series of LPs Time Fades Away, Tonight's The Night and On The Beach, recorded in that order from 1973-1974) reflect this entirely.

In an interview from 1987 with the BBC, Young stated that his "least favorite record is Time Fades Away. I think it's the worst record I ever made - but as a documentary of what was happening to me, it was a great record. I was onstage and I was playing all these songs that nobody had heard before, recording them, and I didn't have the right band. It was just an uncomfortable tour. It was supposed to be this big deal - I just had Harvest out, and they booked me into ninety cities. I felt like a product, and I had this band of all-star musicians that couldn't even look at each other. It was a total joke."

And that's the funny thing - it's absolutely NOT a bad record. In fact it's many a fan's favorite Neil LP of all time. Perhaps this is because the record's been out of print for nearly 35 years, and it's the sole remaining "canon" piece from Neil's extensive catalog not to see a CD release (in 2003, 4 of the 6 Neil LPs that up to then had not been on CD were finally issued as HDCD CD's by Reprise, though TFA and 1972's soundtrack LP Journey Through The Past were not).

I think Neil's recollection of this record is colored by the events of the time within his orbit. He's completely dismissing the fantastic songwriting on this record, and while the performances may not be up to par (which is completely fitting with Neil Young records, as any semi-serious fan will know), the record, as a piece, is stunning.

So as mentioned, this record - to this day - has never seen an official CD release anywhere in the world.

That being said........ in 1995, when Reprise Records first seriously considered officially issuing the "Missing 6" mentioned previously on CD, HDCD-encoded "test pressing" CDs of this - and several other at-the-time unavailable Young LPs - circulated. Not test pressings per se, more likely they were review copies or promo releases that escaped Reprise clutches before Young put his official DNR tag on the product. Of course the 1995 campaign ended with no Missing 6 CDs actually being released, but the escaped copies are still out there in the wild, and sound completely gobsmackingly fantastic.

You see, TFA was mixed by computer in 1972, as the songs rolled off the multitrack reels into the mastering house. There was no "master tape" per se, the mixdown was mastered direct to disk. Neil Young collector Jef Michael Piehler of SideStreet Records: "The problem with Time Fades Away is even worse, as it naively stated on LP labels: "This Recording Was Mastered 16-Track Direct To Disc (acetate) by Computer"; the multi-track master tape was recorded/mixed LIVE, leaving little room for remixing the "warts & all" tape hiss, bad notes & crowd noise. To reassemble the album, someone would need to sort through fifty or so ¼" and/or 2" multi-track reels & "a few" cassettes. Finding the right version by date would be easy enough, but at what stage would the mix be at? Raw recording? Truck monitor mix? Mono PA monitor recording? And what about necessary over-dubs ("LA", "Last Dance")? Where are Crosby's vocals? How'd they layer the voices like that? ...impossible."

So how'd they do it in 1995? Well, the record did see release on 8-track and cassette in the 70s, and it's presumed a backup safety reel of the live-as-she-goes computer mixdown was simultaneously made at the same time the LP was mastered, and Young may have used this to master the '95 HDCD encoding. But it's never actually been discussed, so we'll never know until the official release (if that ever comes).

So enjoy. I certainly do, this record, by leaps and bounds, is the most played Neil Young LP in my entire collection (and I've got most of 'em).

1995 CD:



1995 tray card inlay:



- - - - -

NEIL YOUNG
Time Fades Away
1973, Reprise Records
this version ripped from a 1995 HDCD-encoded mastering, subsequently withdrawn
*still entirely out-of-print*

01 Time Fades Away
02 Journey Through The Past
03 Yonder Stands The Sinner
04 LA
05 Love In Mind
06 Don't Be Denied
07 The Bridge
08 Last Dance

Get yer FLACs here!

let's begin again: Bedhead - WhatFunLifeWas

So it's been a while since I've posted anything new.

Life has intruded, ebbs and flows, but eventually settles down.

What also helps is discovering new music. Not new as in released-last-week, but new as in "why haven't I heard this before, and why is this NOT in my record collection?!?" music. Such as it is with today's feature, a record that 5 days ago I was completely unaware of and had no musical knowledge of. Oh I knew it existed, as an entry in a discography kind of way, but nothing more than that.



You see... I've been on a Kadane brothers blitz off and on for the past several months. Starting with their current project The New Year and working my way backwards, I've been discovering the utter musical genius that is the Texan brothers Matt and Bubba Kadane and the jawdroppingly-beautiful music they create.

I'm not so familiar with the brothers' backstory so I won't go into much detail (because I don't know it!), but starting in 1992 Matt and Bubba Kadane (both guitarists) began releasing records as Bedhead, and when that band ended in 1998 later formed The New Year - which is still active.

I really haven't a clue where to begin describing Bedhead, but today's record - Bedhead's debut LP from 1994 - sounds as if Slowdive raided J Mascis' guitar collection, added some Louisville, KY math rock to the blender, and threw away the effects pedals. It's perhaps the best shoegaze record I've ever heard, but it's not shoegaze. It's perhaps the best slowcore record I've ever heard, but it's not slowcore. It's not post-rock but they could post-rock Tortoise to the end. It's not math rock, it's not punk rock, but it's all those.

Where has this record been and why hasn't it been in my collection for the past 16 years?

Take the second track here "Haywire". The guitars are straight out of the 1990-1992 UK Midlands shoegaze scene, but the ending is completely and utterly mindblowing. The song sounds like it was recorded live to two-track (which wouldn't surprise me at all) which makes the record even more impressive, considering what they're able to do with the simple three guitars, bass and drums formula.

For a quick hit intro to Bedhead just check out "Bedside Table" - a track that gently glides along on lovely intertwined guitars, and ends in a chaotic fury that had to have been AMAZING live.

I'll stop now because I'm too busy swooning to "Crushing".

BEDHEAD
WhatFunLifeWas
1994 Trance Syndicate



01 Liferaft
02 Haywire
03 Bedside Table
04 The Unpredictable Landlord
05 Crushing
06 Unfinished
07 Powder
08 Foaming Love
09 To The Ground
10 Living Well
11 Wind Down

edit: Removed link.

The Power of Independent Trucking : Best Of (so far...)

This is something I've been thinking about for a while, even before recent debacles have caused me to re-evaluate the blog. I know every post gains at least a new reader or two, and sometimes it's too much effort to browse through history and see what stuff you've missed. I know this from my own experience as a blog reader myself.

So I put together a "Best, so far..." post. And being me, I couldn't really edit down from my super list of tracks. So I figured who *doesn't* want 7+ hours of wonderful music to listen to, courtesy of your humble blogger? I would gather this would be roughly 5 CD-Rs worth of material, an even 100 songs from throughout the course of this blog's history.

Every track here I've posted at one time or another previously, so faithful readers from the beginning - assuming they pull down everything I post - will have all this material. If that faithful reader is you, I applaud you. And ask you to start your own blog too, because anybody who likes everything I post obviously is my kind of person.

Even I - the blogger with far too much attention to detail - couldn't fathom how to assemble 100 tracks into 5 (give or take) seamlessly-flowing CDs. So I lazied out and went alphabetically, by artist, and then chronologically by release when more than one track is featured from an artist. And you know what? Barring the occasional odd junctures as we leap styles now and then, it actually works as an easy listen! Only the very first, and very last, tracks are out of sequence: 1 because it gave the blog its name, and 100 because when I put it on a compilation, it *always* ends the comp.

As comprehensive as this compendium is, obviously this just touches the iceberg of material I like. There are easily 50 artists I love that haven't blogged, and obviously aren't in this compilation (hello Pavement, Guided by Voices, Yo La Tengo, and the like). So with that said, consider this my musical journey, in a nutshell.

I'm too lazy to post the relevant links-to-the-original-post in the below tracklist, but if you click the artist name on the sidebar -> over there, you'll eventually find the original post.

Enjoy!

- - - - -

The Power of Independent Trucking : Best Of (so far...)



01 BIG BLACK The Power Of Independent Trucking
02 A CERTAIN RATIO Flight
03 ARCWELDER Raleigh
04 BEDHEAD Parade
05 BHOPAL STIFFS Bottle It Up
06 BIG BLACK Passing Complexion
07 BIG BLACK Kerosene
08 BITCH MAGNET Americruiser
09 BITCH MAGNET Mesentery
10 BITCH MAGNET Crescent
11 THE BOMB Never Want To See You Again
12 THE BOO RADLEYS Does This Hurt?
13 THE CHARLATANS Between 10th and 11th
14 THE CONNELLS Darker Days
15 DIDJITS Joliet
16 DURUTTI COLUMN (MARTIN HANNETT) First Aspect of the Same Thing
17 the FEELIES Raised Eyebrows
18 the FEELIES Slipping (Into Something)
19 the FEELIES Away
20 the FEELIES Invitation
21 fIREHOSE Brave Captain
22 fIREHOSE In Memory of Elizabeth Cotton
23 HAPPY MONDAYS WFL (Think about the future)
24 HÜSKER DÜ The Girl Who Lives On Heaven Hill
25 HÜSKER DÜ Flip Your Wig
26 the JESUS LIZARD Mouth Breather
27 the JESUS LIZARD Dancing Naked Ladies
28 JOY DIVISION No Love Lost (pitch corrected)
29 JOY DIVISION Dead Souls (pitch corrected)
30 JOY DIVISION Colony (pitch corrected)
31 LOW Immune
32 LOW Dinosaur Act
33 MAGNOLIA ELECTRIC CO Northstar Blues
34 MINUTEMEN The Anchor
35 MINUTEMEN Corona (1987 mix)
36 MINUTEMEN History Lesson, Part II
37 BOB MOULD Paralyzed
38 BOB MOULD I Am Vision, I Am Sound
39 NAKED RAYGUN Managua
40 NAKED RAYGUN Soldiers Requiem
41 NINA NASTASIA Superstar
42 NEW FAST AUTOMATIC DAFFODILS Big (single version)
43 NEW FAST AUTOMATIC DAFFODILS Stockholm
44 NEW ORDER Homage (7 September 1980 Western Works)
45 NEW ORDER Ceremony (September 1980 E.A.R.S. New Jersey)
46 NEW ORDER Temptation (7 inch version)
47 NEW ORDER Lonesome Tonight
48 NEW ORDER Let's Go (unreleased original 1985 vocal)
49 NEW ORDER When I'm With You (22 June 1982 Milan)
50 NEW ORDER Your Silent Face (16 June 1989 Irvine Meadows)
51 NEW ORDER Runwild (mix 3) [Primitive Notion]
52 NEW ORDER Shipwreck Of A Broken Man ["Turn My Way", no Billy Corgan]
53 NEW ORDER Run 2 (26 June 1989 unedited old arrangement)
54 THE NEW YEAR Folios
55 NORTHSIDE Moody Places (12" version)
56 THE OTHER TWO Selfish (unreleased mix from 1992 advance promo)
57 PARIS ANGELS Perfume
58 PEGBOY Through My Fingers
59 PEGBOY Strong Reaction
60 PEGBOY You
61 JOEL RL PHELPS Counsel
62 JOEL RL PHELPS & THE DOWNER TRIO Then Slowly Turn
63 POSTER CHILDREN Question
64 POSTER CHILDREN Water
65 R.E.M. Seven Chinese Brothers (9 July 1983 Toronto)
66 R.E.M. With The People -> King Of Birds (Tourfilm 2.0)
67 R.E.M. Kohoutek
68 RAPEMAN Marmoset
69 RED HOUSE PAINTERS Song For A Blue Guitar
70 RIFLE SPORT Exploding Man
71 RODAN Bible Silver Corner
72 SEAM Sweet Pea
73 SEAM Port of Charleston
74 SEBADOH Soul and Fire
75 SEBADOH Cliche
76 SEBADOH Mystery Man
77 SECTION 25 New Horizon (edit)
78 SHELLAC Canada
79 SILKWORM Couldn't You Wait?
80 SILKWORM That's Entertainment
81 SLINT Ron
82 SLINT Washer
83 SLINT Rhoda (re-recorded version)
84 SONGS: OHIA The Old Black Hen
85 THE STONE ROSES Elephant Stone (original Peter Hook mix)
86 BERNARD SUMNER Getting Away With It (March 2009 Songbook)
87 TAR Mel's
88 TAR Short Trades
89 TAR Barry White
90 TEENAGE FANCLUB Star Sign (edit)
91 JEFF TWEEDY & JAY BENNETT Via Chicago (25 July 1999 Chicago)
92 THE WEDDING PRESENT Crawl
93 THE WEDDING PRESENT Suck
94 WILCO Someone Else's Song
95 WILCO & BILLY BRAGG California Stars
96 WILCO Ashes of American Flags (album track)
97 WILCO Sunken Treasure (2 November 2002 Tampa)
98 WILCO At Least That's What You Said (28 June 2003 Philadelphia)
99 SHANNON WRIGHT Black Little Stray
100 NAKED RAYGUN New Dreams

- - - - -

Whew.... Grab the 10 RAR files comprising the set here.

Maybe in another year we'll have a Part II of this... Or not!

New material coming up soon - I do have several items in the pipeline.

read the blog, bought the record?

Have any of my readers been compelled to, you know, actually PURCHASE any of the items I've blogged? Whether physical product, or digital download, I am curious.

I get the feeling I'm doing this whole thing backwards sometimes.

I, the blogger, have been compelled to purchase quite a few of the items I've blogged. A quick rundown, off the top of my head:

Both BITCH MAGNET CD's. I had downloaded lossless copies on the interwebs before, but I became so obsessed with this band around the time I blogged them, I had to actually have the product. So I purchased Ben Hur new (still available via many online retailers on CD), and a used copy of Umber And Star Booty via half.com. Funnily enough, there are enough postings elsewhere with people griping how pricey used copies of Umber And Star Booty are, but - including shipping - I paid less than retail cost for the new CD (as you'd expect for used product). Yeah, some of the online sellers are charging exorbitant amounts for this CD, but you can also find it at a much more reasonable cost.

TAR - Roundhouse/Handsome. Also used, via half.com. Again, online complaints about how hard it is to find affordably, but again, cost me less than the original retail price including shipping. Granted, the cover did have a bit of water damage, but I didn't buy the disc for the inlay.

RODAN - Rusty. Purchased new, and glad I did.

JOEL RL PHELPS / DOWNER TRIO - Virtually everything. Warm Springs Night, 3, Blackbird and Inland Empires all via either half.com or Amazon Marketplace, and all used. All I'm missing is the Downer Trio EP, and Customs (with the bonus CD). I may have pissed off Joel's label head Tim Cook, but I walked the walk. I'd gladly purchase these new if I could, because the money should go to JRLP and not some online seller. BTW all these were less than $5 each, not including shipping.

SILKWORM - Libertine. Used via half.com, and $10. Not bad for a CD that many seek, and many bitch about the cost.

the JESUS LIZARD - Head/Pure, Goat, Liar and Down, all new from my local indie record store, the remastered editions. Granted I'd owned all the above in their original release masterings, but after downloading lossless copies of the remasters, I had to own them for the liner notes alone. I'm damn glad I purchased them as they are nothing short of spectacular.

Anyone?